Thursday, March 6, 2008

bill wards-harold brown




Tina Small Edit
Answer submitted by mavericstud9 (85) | Add a comment
Currently ranked: #128 | Added on April 27th, 2008 | Reaction: 0


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Show full-size Sexy,blonde.intelligent.long legged.ultra busty.measures 84EE-22-34.Still,Chelsea Charms and Minka run close.Terry Hatcher,close to those two.But Tina Small-aka Christina Jane Small's my favorite-too sexy goddess.

My #1



Bill Wards-Harold brown. Quest For a big pair.



This used to run in pages of Juggs magazine, which picked allot-being I loved those Tina Small-extra huge women. This bit of fiction portrayed the adventures of a well hung man, around 11 inches, which was a quest to screw any woman, with the world’s biggest breast. He first, did it his top heavy mother, who measured around 48 inches, like Candy Samples. Momma lusted after her sons freakishly huge pensioner wonder daddy-since must have hung a horse also. He went to seduce some top heavy woman, on a train. There episodes of Harold Brown doing some 56DD woman on a beach. Flash stories where Harold, around 13 or 14 and hung 9 inches, getting from mother, for the first time. Dialogue, stated Bill Wards ignorance. She claimed that father was not as big as her son. I know big cocks run in families. You John Holmes pop were huge. So Harold Brown, Junior could be bigger than Harold, Senior. Mother would gotten 11 inches, 13 or 14 years ago, which is sonny boy came from.Same kind of big cocked ignorance you get Kevin J. Taylor character Blue,in Part Lover comics.
Horald screw a big breasted woman, I think around 56 inches, at a funeral. Then there is with rich British woman 71 inch bust. and top heavy lover, around 56 inches
She is killed in the end of the tale, so Harold goes onto find another freakishly huge breasted lover.
Now, this the one that got me turned on. Harold meets a Tina Small look-alike, breast much larger her. The story stated, they so big, she has tilt backward to counter, their great weight and she wobbles down the sidewalk, passing Harold. Our hero follows home, I would and managed to trick his into her skyscraper apartment, and get his massive horse sized sucked off her 56DD Brunette friend, before meeting her again. She Miss Haversmith or something, drags Harold into her bed room, by his elephant sized cock, let him milk her. Now, if love the likes of Tina Small or Chelsea Charms and was sucking their beach ball sized hooters, would bang her, with your 11 inch horsecock until she was brain-dead and stupid, screaming an adult film star and do everything to keep as your girlfreind and later wife. I would.
The series continued on for an issue or two. Me, I’d love to do such comic right. My Harold Brown fuck his way, with 11 inch up through the likes of Asian porn Minka and Maxi Mounds, onto Chelsea Charms and Tina Small. Once are filled baby milk, dynamite would move me away those freakishly huge breast.
Doc Thompson


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Jill: Part-Time Lover (Paperback)
by Kevin J. Taylor (Author)



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Buy this boo Prep Time Posse
The Prep Time Posse is an online comicbook crew (a very menacing one too) that formed on Okayplayer.com a few years ago to discuss and share our love of comicbooks. We may *heart* comics but we enjoy talking about them more than anything else. Each PTP member brings a unique perspective to the table, so pull up a chair and join us on our 4-colored journey through the often geek-laden path we refer to as the comicbook.
Thursday, March 30, 2006
Kevin J Taylor

Prep Time Posse is a little different. The fact that we all love comics and its many shapes and forms is one of the reasons why we formed this little cabal of miscreants. Now my goal was to track down some of my favorite artists and get a little insight into how they go about creating the things they do. So when I first contacted Mr. Taylor and he was down to do this interview I was what the kids say, "geeked". Despite my fanboy gushing over his works Kev was super cool and urbane. The guy has a wit and style that really shows in his work, something that can't be said about a lot of artists today.


Now for all those faint of heart lets get this out in the open; KJT's books aren't for the kiddies, they're for grown folks. Some will complain that its sexist, misogynistic, and pornographic, well it could be, its what you take from it. To me his work is art plain and simple.Kev is one of my favorite artist in the medium and he's one of the best erotic artist in the business. To me he's the American equivalent to artists like Serpieri and Manara, except "rawer". So for all you "18 and overs" out there do yourself a favor when you finish reading this interview. First clean yourself off then click on over to Amazon.com and buy some the man's graphic novels and art books.


MM: I really appreciate you being able to take some time out and have a talk with the PTP blog. First I'd like to ask you to give a little personal background information/bio about yourself. Where did you grow up how did you get introduced to art?


KJT: I was born in Brooklyn but I grew up in Harlem in the Polo Grounds, right across from the Rucker basketball park. I guess I got into art and drawing from watching cartoons and picking up comic books.



MM: How and when did you decide you wanted to make comics?

KJT: In junior high school two other artist friends and I were the only wanna be comic artists in the school, so we created our own by folding sheets of typing paper in half and writing and drawing our own stories and characters, which were just rip-offs of the Marvel and DC heroes.

MM: Who are some of your favorite creators in the industry, who has influenced you?

KJT: I don't have any current favorites in comics but as far as influences in the early stages, there was Gil Kane, Barry Windsor Smith, Billy Graham and Neal Adams. Over the years I've focused on artists outside the industry, like the fantasy painters and soon I began studying European comic artists whom I have more in common with than the American artists as far as how my books look sequentially.

MM: How did you break into the industry?

KJT: While working in several animation studios I wrote and illustrated my first book "Model By Day" and sent copies around to several independent companies. After almost a year and a few "Not at this time" notices, Rip Off Press picked it up, and that was the beginning.



MM: Did you ever want to do mainstream books for the Big 2 or were you only interested in putting out creator owned titles?


KJT: Most artists that were into comics started out wanting to work on the characters of Marvel and DC mainly because it seemed an easier way to get into comics. But the talent in those companies were so inbred it led artists to finding ways of publishing themselves. Now it's the other way around, once you have a successful self published book. My books have done well, but because of the adult genre, I've never been invited to work for other publishers and that's fine by me. I like the fact that I own everything that I've ever done.


MM: I see on your site and in your art books (Foreplay and Body by Taylor) that you get a lot of commissioned work. Do you like doing these works more than your comic related stuff or are they equally enjoyable?

KJT: Commissioned work helps to pay the bills. Doing comic books and graphic novels is grinding, especially since I do everything myself. They're both gratifying in their own way but both require a different mindset.



MM: Your work is extremely erotic to say the least. Some would call it pornographic. How would you describe or classify it? Have publishers ever told you to tone it down? Do you ever find yourself doing any self-censoring?

KJT: I don't try to describe or classify my work-I'd rather leave that to everyone else. I'm an artist. Bang. Art is what the audience brings to it, what people have been taught or convinced what "art" is supposed to be. It's just too bad that nowadays skill doesn't seem to be a requirement in a lot of so called "art".



I've never been asked by anyone to tone it down-in fact, publishers and fans have been constantly asking me to "amp it up". As far as censoring myself, people expect to see hardcore sex in most of my books so there's no need for censoring. But I do have to edit the scenes in order to keep the story moving. I can't make any sense out of other adult comics that have ten or twelve pages of nothing but close ups of penetration shots. There are only so many ways you can draw a dick going into an orifice. Believe me, I've tried them all.



MM: Could you describe your creative process? How do you go about creating a commissioned piece versus you doing a Girl graphic novel? Do you use models? What are your preferred media to work in? I know from your comics and art books that you use very traditional media like markers, watercolor and inks but have you experimented with non-traditional ones like computers or programs like Photoshop or Painter?

KJT: Doing a commissioned work has its difficulties in that I have to get a story or mood across in one image-in a graphic novel I have several pages to build on in order to get a point across to move the story along. I can't describe my creative process except to say I begin knowing how I want the piece to end and I'll just have to work towards that. My creative process isn't confined within any time frame-it's a never ending dilemma. With models, I use them when I have time-they're fun to work with. I use mostly water based media in my published work, but I've experimented in just about everything. I never know what I may feel like using at any given time. At this time, I've never experimented with computer art because I have no use for it. I prefer painting with brushes as opposed to clicking and dragging. Maybe in the future, but right now I only need my computer to answer e-mails and to check out those pop-up ads for "transvestite bikini waxing" products. (Trust me, I only look. There are a lotta freaky people out there.)

MM: Your dialogue tends to be extremely real and very raw. I remember reading certain parts of Body Heat and thinking, "This guy must be black", because the dialogue seemed very authentic. I think very few writers can write convincing urban (for lack of a better term) slang and not sound contrived or completely corny. Your work sounds, feels, and reads as being very real. Do you think to non-urban readers 'get' all of the dialogue?



KJT: As a writer, you're inviting the audience into your world,
or into the world and characters that you've created. You can't really be concerned with catering to any particular audience, unless that's your main goal because if the audience is into the work long enough, they'll catch on and understand the language of the work. But I do put in phrases that even my publisher doesn't get. Like in the third volume of GIRL: The Second Coming, Jaleira says to Jill "Jilla, please." My publisher thought it was a typo until I let him know that sometimes my characters only speak in typo's.



MM: In hunting down some of your more rare books (Kama Sutra and Lust) I've noticed you seem to have a huge following in Spain and I would assume other European countries as well. You have a lot of your works reprinted under the Coleccion X and the Kiss books. How is your work embraced overseas? Do you have a bigger following in the European market? If so why do you think that's the case?

KJT: So far my work has been published in English, Spanish, French, German and Italian, not to mention some illegal magazine in Swedish. I'm currently working on other possibilities in other countries. My work does well overseas
and the fans have a different respect for it that I admire. There's not a bigger following there, but it's out in the open more than it is in the states.


MM: Tell us about your most famous, and one of my favorite characters, Girl. Is Girl/Jaleira based on a real person or an amalgam of real people? What do you find women's reaction to her tend to be? What do you find is women's reactions to your work in general?




KJT: Jaleira was initially based on a girl I saw one summer day in downtown New York. I recreated her look from memory as best I could a year later, especially her clothes, in the first pages of the first chapter of "The Girl". Over the years, her looks were altered along with my idea of her.

Women's reaction to Jaleira has been positive, once they got past Jaleira's looks and their own insecurities and focused on the stories. Women seem to like the way my female characters speak and the fact that they're in control of sexual situations, and in particular the way I depict body language and interaction. For the most part, women prefer my stories over my individual paintings and that's fine with me. I've gotten letters from guys and I've even met a few men that have told me that some of my books have gotten them laid. I'm not sure how true any of that is but, if so, it's a hell of a good reason to leave one of my books lying around.


MM: How many more Girl: The Second Coming books can we expect?

KJT: At the moment I'm working on the fourth and final volume of Second Coming. After that, I'll work on something else. Right now I'm not sure if it will be "Girl" related.

MM: Are you ever going to revisit your other characters? Will we ever see another Fang or Model by Day?

KJT: I would eventually like to revisit both FANG and MODEL BY DAY. I'm just not sure what medium it will be in.



MM:Any chances of us seeing new characters?

KJT: I have sketchbboks and notebooks full of different characters and stories that I'd like to get out there. I'll just have to decide what should come next and, more importantly, when. Hopefully, I'll have the strength to see them through, however I decide to do them.

MM: Speaking of Model by Day what was up with the TV movie from the 90's? I never saw it personally but did you have any hands on involvement with that?Any chance we'll ever see Girl or Fang move on to other media?



KJT: I had nothing to do with the Model By Day TV film except that I provided the source material. My credit was the "Based on characters created by" credit. It did pretty well when it aired and it still plays in Canada where it was filmed, so if you get any Canadian tv stations you might catch it one evening. As for any of my other characters making the leap to another form other than printed, we'll have to wait and see what happens. I'm not against it, but I'll have to have a bigger hand in it if it does happen.

MM: What do you think is the current state of the comic's industry? Has it peaked? Is it on its way out or is there still life left in it?

KJT: To be honest, I haven't been paying attention to what's been happening in the comics industry. I haven't even been in a comic book shop in well over a year now. But there are still comic book conventions advertised in some papers I read, and Hollywood seems to be going comic book crazy, so I'm sure the industry is doing well. After all, every industry has it's peaks and valleys,
like the huge decline in music sales a few years back and the lack of movie ticket sales before that, but those industries are still thriving. Why should the comic book industry be any different? Even as I write this, there's a tv commercial for the film version of Alan Moore's "V for Vendetta" . Comic books will be around for a long time.

MM:What comics are you reading these days?

KJT: None.

MM: What advice would you give to anyone trying to break into comics?

KJT: I'm no good at giving advice, especially about getting into comics because I got where I am by navigating through a series
of unorthodox influences to learn my craft, then forgetting them and finding my own way of doing things. There are far more qualified artists and editors who like nothing more than giving advice to young artists and, from my experiences of having heard a lot of their advice, they basically like to hear themselves talk.
If you really feel the need to do comic books for a living, then find your own style and be stubborn about it. Stubbornness isn't necessarily a bad quality-it's what's kept me painting all of these years. But, if I were to have any advice for any would be comic book artist, it would be to get a real job with a steady paycheck and health benefits. You'll thank me later. (Especially if my books help you get laid.)



MM: Finally, what can fans look forward to seeing from you in the future? Any new projects? More Girl? Please feel free to pimp anything you got coming up.

KJT: All I have coming up is GIRL:The Second Coming vol. 4, hopefully by Christmas 2006. I'm also doing a lot of commissioned work and most of them will most likely end up in
a future art book. Besides that I'm trying to update my website www.blacklacestudios.com but that may take a while. I'll try to stay in contact to let you know when that's back up and running. Until then, I have to get back to work. It's only 1:16 a.m. and I'm way behind schedule. But that's normal for a comic book artist. Peace.


Posted by MR. MAJOR at 3/30/2006 08:14:00 AM
Labels: Interviews
8 comments:
toothpick said...
oh shit, i remember Model by Day! More specifically, I remember Famke Janssen in Model by Day. And yeah, that got a lot of play here in Canada, which its quality surely didn't warrant.

Great interview, and i fucking love those Prep Time bat-censors.
March 30, 2006
lonesome said...
Uhhh. thanks to wireless I've taken to reading the Posses boards nights while in bed next to my loving and lovely wife.
This is one time I am glad I accidentally stumbled onto nekkid pics at the office.
(That said, looking forward to reading this at some point...)
March 30, 2006
buckshot said...
Best use of a logo ever.

Thanks for these. I'm loving the interviews.
March 30, 2006
JRennoldz said...
CAUTION: PORNOGRAPHIC CONTENT.

Great interview, awesome style and yes, best use of the logo ever.

These joints keep getting better and better...

This one is the best yet!
March 30, 2006
Fleur d'Afrique. said...
That's a great interview. I never heard of him before. Good job with the blog guys. I'm new to comics and this is a great way to discover stuff. thanks!
okp les_fleurs
March 30, 2006
neo said...
Dude seems so well-relaxed and just a regular type guy..I dug his honesty btw..

Great interview..

LOL @ the censors..haaaa!
March 31, 2006
joe gumbo said...
Taylor's the most underrated artist in comics today, because to be frank, he makes sex comics & he's black... but mark my word... they'll be talking about his comics long after whatever flavor-of-the-month critics darling is forgotten. Viva Girl!
April 01, 2006
Gone said...
Another kudo for the hilarious use of the Prep Time Bat Censor logo!
April 05, 2006
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Editorial Reviews
Book Description
Taylor¹s first fully painted graphic novel is a series of interlaced stories starring Jill, who gets herself through college by selling her hot...services. Hey, if you¹re gonna do it and wanna do it with a lot of guys for the fun of it, why not make some money off it as well? She¹s gorgeous, hot as a red pepper, thrills to men taking her, but doesn¹t just take any john.

Product Details
Paperback: 56 pages
Publisher: Eurotica (June 2000)
Language: English
ISBN-10: 1561632589
ISBN-13: 978-1561632589
Product Dimensions: 10.8 x 7.6 x 0.2 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
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32 of 33 people found the following review helpful:
Kevin Taylor introduces a new girl and does it in color, December 6, 2006
By A. Sandoc "sussarakhen" (San Pablo, California United States) - See all my reviews


Jill: The Part-time Lover marks Kevin Taylor's first full-lenght graphic novel that doesn't involve his cult character of "Girl". Jill's made appearances in past anthology issues of both his own publishing and in the Spanish adult comic series, KISS. Except for artbooks, Kevin Taylor's usually worked in just the black and white medium. Even with such simple line art Taylor's work was second to none in the adult comic industry. I would say that with his unique style when it came to drawing his female and male characters, Taylor was one of the more unique and talented artists in the comic industry as a whole. One thing that fans had been waiting for him to do was to finally make that leap into making full-color work. He showed that he could work as well with color as he does with black and white in his artbook, Foreplay. Well, fans were finally rewarded when he released Jill: The Part-Time Lover.

This graphic novel is about a certain college girl named Jill (who also happens to be very good friends with Girl and another of Taylor's characters Blue) who like all college students works alot of hours to pay the bills and rent while trying not fail her classes. Jill has also been using her substantial physical assets and charms to get herself very good grades. In a scene that seems straight out of Penthouse Forum Letters, Jill figures out that she can charge her teachers and strangers for her services. This would solve her cash problems and also allow her to quit her job at a clothing store where her female boss has a definite jealousy issue with our gal Jill. The rest of the book sees our gal pal Jill going from one sexual encounter to the next with each one trying to the top the previous scene.

Kevin Taylor doesn't skimp on details when it comes to plotting and framing the sexual sequences. With color now adding a new dimension to his previous excellent use of black and white line art, Taylor has managed to make his work on Jill: The Part-Time Lover even better than his previous ones. This book gives a tantalizing glimpse into what the graphic novels of Girl's future sexual escapades will lookl like. This book is definitely not for prudes and those easily embarrassed. There's nothing thought-provoking about the story and the book in itself. But what Taylor delivers is a down and dirty, and fun look at a girl going about her business the only way she knows how. For fans of Kevin Taylor's past work this is a definite must-buy.


12 of 12 people found the following review helpful:
Great graphic novel , April 13, 2005
By Steve Vander - See all my reviews

Adult Full-Color graphic novel.

Man, Jill is sure one hot woman. Right, sorry. This book is about a young woman named Jill. Jill narrates the story through the method of an "audio" diary.

Jill just moved out of her parent's home a couple of months ago and needs some money to pay her bills but is having trouble keeping jobs. Man that girl is hot.

The story starts with Jill waking up with three men after getting drunk with them at a bar. She tries to disengage, succeeds and leaves to try to arrive at her job on time but she is already late. She slips into some skin tight clothes without adding underwear to her ensemble and heads off to her clothing store job (oh, and her tights are semi-transparent).

In her get-up, Jill makes a lot of sales at the store, but knows that she is going to get fired. While Jill is in the break room, the store owner's son enters and oops, out pops his huge johnson. While they are having some fun the manager looks in, is shocked, and leaves. After the "fun" is over, the kid gives Jill some money (oh, and that "fun" has made certain sections on the waist of Jill's tights completely transparent). Despite selling a lot of merchandise, Jill is told that she will be let go at the end of the week.

While attempting to set some sales records Jill is approached by some men that want to know how to "get" with her. She tells them to pay her. They don't want to do that and leave. Two other men overhear and wander up and ask how much and then offer $1000.

Jill isn't certain if she really wants to "rent" herself and has to think about it. She thinks about it after work when she goes to the bar with a female friend. She decides to do it. She goes to the address the men gave her and the men show up, and lead her into a dark alley to a dirty mattress. They end up being rather huge, give Jill a lot of pleasure, and then give her $2000. Jill's new career begins (or continues after being paid by the store owner's son). The story continues for another 38 or so pages. Jill: "I actually look forward to going to "work"."

Overall, the book is very well-drawn, the plot isn't anything much, and the book is quite good. And Jill is one hot woman, and she certainly knows how to dress.


12 of 14 people found the following review helpful:
So good, it's gotta be Taylor!, November 11, 2000
By Dr. Gnome (PR) - See all my reviews

Once again Kevin Taylor cranks out a masterpiece, and this time with Jill! Jill is a co-ed College girl/clothing store salesgirl who just gets fed up with her regular job and decides she'd do better selling her body for fun and profit. Need I say more? The art is Taylor's signature crude & thick penciled style (with all the cliches, heh) but this time it's in color (and it certainly adds to this story). Sexual encounters are rough and scaldingly explicit, once again pushing the limits of Hardcore graphic art (this book is not for the faint of heart)! Among it's highlights are occasional cameos by several of Taylor's regular characters. If you liked Girl, you'll love Jill: Part-Time Lover (it's just as wild as Girl, at times more-so; but without the distracting plot-devices).

Editor’s Notes;
I want to like these comics.I mean got sexy women,getting off males with big meat.Fuck wish I had Blue’s.My big meat,would be sore for months.My problem,that Blues horse sized penis dosen’t seem to grow.It simply pops when erect.Anyone knows Peter North to John Holmes,peters-even big ones grow-from one smaller dick to a bigger one.No matter who or what size they are.Lots of time,you see a semi erect peter in porn films.No one and no one has 8 or 9 incher or 10 or 11 ,that grows into a similar size.Every guy grows from smaller to bigger.-no mater who he is.His books,also have that bit of Ghetto ignorance.His he bowing down retard standards like much of comicdom.?You bettcha.
I wish ,his comic like Bill Wards were less porn and mature-more scientifically correct.No one guys are so ignorant-no only adult got you guys screwed,but so does the fiction.

Doc Thompson

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